#THINK OF ME PHANTOM OF THE OPERA STAGE FREE#

We sympathize with the phantom who hid in his sanctuary, and protect him from the respite of the outer world while outraged with the misfortune that he bestowed to other people in the opera in order to get what he wants. This play gives very thoughtful insight into success and rejection, and presents changing themes of light and darkness. until midnight.īeing the oldest musical show since it was premiered in 1986, it still has the same iconic costume designs by Maria Bjornson, although many costumes were recently made with new technical wizardry to better present the mysteries in the plot, according to Lansing State Journal.

#THINK OF ME PHANTOM OF THE OPERA STAGE FREE#

They have to make sure that they happen at the precise moment they should, so that not only the performers are in the right place at the right time, they’re free from the danger of being hurt by an errant set piece.Īccording to On Milwaukee, another stage manager Hansen said the behind-the-scenes workers have to pull 16 hour shifts to prepare for the show, working some days from 8 a.m. Within the 125 member cast, there were many people striving in the background as well to ensure a successful production.Īccording to the Boston Globe, Backstage people, such as Heather Chockley, are responsible for launching every one of the more than 400 lights, automation, and special effects (including several pyrotechnics). Simply by listening to the inflections in their monotone and dialogues, the audience could immediately have a good understanding of their emotions and personalities. The acting was some of the best acting I’ve ever seen, even when compared to those famous Hollywood movies. The phantom’s heart is broken as he wallowed in his loneliness and anger when Christine fell in love with her childhood sweetheart Viscount Raoul. His obsession turned into terrorizing the opera cast because they did not give her the lead role, therefore ignoring his demand. Her beautiful voice and her firm believe in an angel sent by her dead father led her toward the phantom, and captured the heart of this grotesque man. This is the same that we felt as the Phantom, whose capricious self lived in his little den in the small opera house fell in love with Christine, an unnoticeable girl in the chorus but whose life forever changed when the soprano stumped away with rage. The light tone of orchestral music sometimes contradicted a surge of the dark and fiery crescendo, and sometimes faded into shushed staccato that gave the audience a wary mind. The play started off with an overture played by the mournful orchestra, yet transformed into vivid colors as the story transcends through ages. I thought of the beginning of the play scene in “Age of Innocence” and other western classic literature, and started to wonder whether they were precisely like this hundreds of years ago, where different classes of people would come together and certain balcony seats would be reserved for some upper class attendees, and debutantes make their first sensational appearance in society. From the entire staging to numerous props set in certain places, even the most detailistic thing used by the cast are breathtakingly beautiful and fit the play really well. The costumes worn by the female characters were mainly formal and colorful gowns, and the ones worn by male were suits and vintage stockings like the daily costumes of the 18 th centuries. Like any traditional musical, Phantom of the Opera has numerous songs that are interspersed with the play’s dialogue, with intricate choreography that skillfully portrays each character’s lines and gives the play a life. Soft but powerful voice started ringing in my ears that penetrated my heart. I knew I was in for a treat.Īlthough the environment was unfamiliar, forgetting the bustling world outside of me was just effortless ease. It was my first time ever to a Broadway musical behind the doors of a corner in New York where I never paid attention to on the Hop-On, Hop-Off bus. Looking up, a regal-fashioned chandelier dangled from the beyond-reach ceiling. It was not a commodious theatre, I was engrossed by the well-lit stage with a beautiful angelic statue in the middle of the plushy red curtains with golden leafs embellishing its crown. The musical book on which it’s based on is written by Richard Stilgoe and Lloyd Webber.Ī sense of excitement stirred in me as I entered the theatre from the stairs by the sides. Its original musical had music composed by Andrew Lloyd Webber and lyrics by Charles Hart. This production is a wonderful cinematic play with a timeless and suspenseful plot. I saw Phantom of the Opera at Majestic Theatre in New York in June.

Think of me phantom of the opera stage